Especially when we get around to talking about the confines of your home, then there should be no limit to wildcat all over the place with unbounded artiness and creativity. If you are a creative spirit, you probably cannot stomach the banality and ordinariness of bromidic places. Aside from getting staple implements, why dont you get yourself some decorative craft chandeliers.
There are many facets to great art. Anyone could, right now, get up a clump of sticks, stick it atop a hill of dirt, and call it fancy names like the Spiral Jetty or the Persistence of Memory. Really, though, we were just pulling your leg up there and just pelting fun at some postmodernist art. The above mentioned are really good artworks if you check them out.
Anyway, the main point of that embarrassing screed is that beauty, and the perception of it, is very much relative. There lies the great struggle in Art. After all, the starving artist, though it is a hackneyed term, is not so much figurative as literal. One has to make a great living in this enterprise. You have all the creativity and imagination at your disposal, but the question is that if it meshes well with the imagination and idea of creativity of the audiences right there.
As you may guess, this particular idea is very much applicable in thoroughly discrete areas, from architecture to interior design. After all, although Architecture is something that is often toggled side by side with beauty, aesthetics, and the innovations therein, the nub of the matter is always how it relates or applies to people. Therefore, it should also exude an aura of convenience, comfort, appropriateness, serviceability, and user friendliness.
After all, the chandelier is something like an icon, symbol, or motif of luxury. Its certainly not something you wind up seeing in a little hut of sorts, or a motel, or something like that. You should probably guess that for yourself. With its French etymology, its luxurious provenance is already very well set.
Nothing is more unfortunate than not shelling out beautifying efforts in the first place. That is where adjectives like nondescript, characterless, and featureless come in. That means to say that there is nothing remarkable or worthy of note, unexceptional, unremarkable, uninteresting, and uninspiring. And if you ask us, in the decency bracket, thats way down below ugly and abominable.
Really, though, when something is so well contrived and well designed, it can be deemed as fine art, never mind its relative beauty, but its distinction in other more important people oriented areas. Of course, fine art is yet another broad appellation in itself. It may subsume painting, photography, drawing, sculpture and other visually appealing objects of quality, something that stimulates the emotion, intellect, or else ones appreciation for beauty.
When one thinks of chandeliers, the lighting contraption that often comes to mind are those in, say the great palace of Versailles or the modern hotel of Venetian. Although detailing is quite hard on the minds eye, and visualization is quite a tough piece of work, we seem to have more trouble visualizing a plain chandelier than an ornate one. And rightly so. After all, this strobe will soon be the centerpiece of your home, and you had better make sure it does your WHOLE home justice.
Decorative craft is concerned with objects of utility. And such is the application here. After all, before anything else, functionality is the nitty gritty. This is essentially an area where aesthetics and utility are carefully balanced out and evened out with each other.
There are many facets to great art. Anyone could, right now, get up a clump of sticks, stick it atop a hill of dirt, and call it fancy names like the Spiral Jetty or the Persistence of Memory. Really, though, we were just pulling your leg up there and just pelting fun at some postmodernist art. The above mentioned are really good artworks if you check them out.
Anyway, the main point of that embarrassing screed is that beauty, and the perception of it, is very much relative. There lies the great struggle in Art. After all, the starving artist, though it is a hackneyed term, is not so much figurative as literal. One has to make a great living in this enterprise. You have all the creativity and imagination at your disposal, but the question is that if it meshes well with the imagination and idea of creativity of the audiences right there.
As you may guess, this particular idea is very much applicable in thoroughly discrete areas, from architecture to interior design. After all, although Architecture is something that is often toggled side by side with beauty, aesthetics, and the innovations therein, the nub of the matter is always how it relates or applies to people. Therefore, it should also exude an aura of convenience, comfort, appropriateness, serviceability, and user friendliness.
After all, the chandelier is something like an icon, symbol, or motif of luxury. Its certainly not something you wind up seeing in a little hut of sorts, or a motel, or something like that. You should probably guess that for yourself. With its French etymology, its luxurious provenance is already very well set.
Nothing is more unfortunate than not shelling out beautifying efforts in the first place. That is where adjectives like nondescript, characterless, and featureless come in. That means to say that there is nothing remarkable or worthy of note, unexceptional, unremarkable, uninteresting, and uninspiring. And if you ask us, in the decency bracket, thats way down below ugly and abominable.
Really, though, when something is so well contrived and well designed, it can be deemed as fine art, never mind its relative beauty, but its distinction in other more important people oriented areas. Of course, fine art is yet another broad appellation in itself. It may subsume painting, photography, drawing, sculpture and other visually appealing objects of quality, something that stimulates the emotion, intellect, or else ones appreciation for beauty.
When one thinks of chandeliers, the lighting contraption that often comes to mind are those in, say the great palace of Versailles or the modern hotel of Venetian. Although detailing is quite hard on the minds eye, and visualization is quite a tough piece of work, we seem to have more trouble visualizing a plain chandelier than an ornate one. And rightly so. After all, this strobe will soon be the centerpiece of your home, and you had better make sure it does your WHOLE home justice.
Decorative craft is concerned with objects of utility. And such is the application here. After all, before anything else, functionality is the nitty gritty. This is essentially an area where aesthetics and utility are carefully balanced out and evened out with each other.
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